Showing posts with label St. George. Show all posts
Showing posts with label St. George. Show all posts

4/23/18

On St. George Revivified

"St George Fighting the Dragon"
by Raffaello Sanzio.
THE disadvantage of men not knowing the past is that they do not know the present. History is a hill or high point of vantage, from which alone men see the town in which they live or the age in which they are living. Without some such contrast or comparison, without some such shifting of the point of view, we should see nothing whatever of our own social surroundings. We should take them for granted, as the only possible social surroundings. We should be as unconscious of them as we are, for the most part, of the hair growing on our heads or the air passing through our lungs. It is the variety of the human story that brings out sharply the last turn that the road has taken, and it is the view under the arch of the gateway which tells us that we are entering a town.

Yet this sense of the past is curiously patchy among the most intelligent and instructed people, especially in modern England. Among a hundred such scraps and snippets, I saw this morning a literary competition in an exceedingly highbrow weekly, a prize being awarded for a conversation between a modern interviewer and St. George. And I was struck by the fact that clever, and even brilliant, contributors missed much of the point, even about the modern interviewer, by missing the point about the ancient saint. I am not setting up as an authority on either. I am not pretending to be learned; nor is there here any question of learning. It is a question of quite superficial information, but of information that is fairly well spread over the whole surface. I have not been right slap-bang through The Decline and Fall of the Roman Empire lately, any more than had Mr. Silas Wegg; I have not read every word of the Acta Sanctorum within the last week or so; I have not even read very closely the relatively modern romance of The Seven Champions of Christendom. I have nothing but general information; but it is fairly general. What surprises me in people younger, brighter, and more progressively educated than myself is that their general information is very patchy.

Now, it is unfair to say that they know nothing about St. George, because it may fairly be answered that there is nothing to be known about St. George. In one sense, nobody knows who St. George was; we only know who he was not. The only clear and solid fact about him is that he certainly was not what Gibbon said he was; the contractor of Cappadocia. He was merely recorded as a common soldier of the legions martyred with multitudes under Diocletian; nor is there any particular reason to doubt that he was. All the rest is legend, though legend is often very valuable to history. And I mean by general information the sense of the life in legends; how they grow; where they come from; why they remain. I know what saints were supposed to be; what patron saints were supposed to do; how they often did it for the most diverse groups ages after their death; how other saints besides George dealt with dragons; how other nations besides England invoked St. George; how the saints were before the knights; how the knights were before the nations; and so on. In short, I have picked up quite crudely what Mr. Wells calls an Outline of History; but a more scientifically educated generation still seems to have only snippets of history: the lie out of Gibbon; the legend about the dragon; the phrase "St. George for Merry England," and such isolated items. The result is a curious sort of narrowness, even about the problem of the present or the immediate past. For instance, one quite intelligent contributor apparently identified "St. George" as somebody supposed to have lived in "Merry England," and explained that his period (whatever it was supposed to be) was not really merry, because there was a great deal of mud in the streets, or people lived in mud hovels. Apart from everything else, I call it narrow for a man to suppose that Mud is the opposite of Merriment. Did he never make any mud-pies? Was he not much merrier making them than contributing to intellectual weeklies?

But the essential point is this. Everybody thought the joke must be found in showing how unlike St. George's time was to ours. I think it would be a much better joke to show how extremely like St. George's time was to ours. But the writers are hampered in this by being extremely vague about what was St. George's time. Now, a man in the later Roman Empire, like George the Martyr, would have seen all round him an ancient world that was astonishingly like the modern world. Whether or no Merry England was a suitable phrase for mediævalism, whether or no mediævalism was all mud, it is quite certain that the Empire of Diocletian was not all mud. Imperial Rome was not all mud, but all marble, all mortar and massive building, all pipes and tanks and engineering, all sorts of elaborate equipments of luxury or hygiene. And among all those palatial baths and towering aqueducts, George would probably be thinking pretty much what many an intelligent man is thinking now—that man does not live by soap alone; and that hygiene, or even health, is not much good unless you can take a healthy view of it—or, better still, feel a healthy indifference to it.

Suppose, for instance, that the soldier George had read some of the satires on fashionable society that were produced in that old Pagan world. He would find fact after fact and fashion after fashion exactly parallel to our own. He would find Juvenal making fun of fashionable ladies who join in masculine sports or adventures in a spirit of self-advertisement. The Roman satirist describes how grand Roman ladies would appear as gladiators in the arena, sacrificing not only modesty, but the manners of their rank, in order to be in the limelight. That exact fashionable blend of Feminism and Publicity did really exist in the real epoch of the real St. George: almost exactly as it exists today. Or suppose the Roman soldier read the religious and philosophical literature circulating through the Roman Empire. He would find all that we call New Religions now already called New Religions then. He would find idealists who were Vegetarians, like Apollonius of Tyana; theosophists who had learned all about Reincarnation from Brahmins and Hindu seers; prophets of the Simple Life in the drawing-rooms of duchesses, talking about the secrets of health, wealth, and wisdom; promises of a new Universal Religion, which should include all beliefs without any particular belief in any of them. If the real original St. George did find himself interviewed by a modern newspaper man, he would think that hardly anything in the newspaper was new. He would not think primarily that he had come into a strange world, far away from dragons and princesses and mediæval armour. He would think he had got back into the old bewildered and decaying world of the last phase of Paganism, loud with denials of religion and louder with the howlings of superstition. He would find everything in Juvenal—except Juvenal. He would find quite as many absurd lady gladiators—only not so many people calling them absurd. He would be quite at home, thinking himself back in the old Diocletian Empire—and he would prepare for death.

~G.K. Chesterton: All I Survey, A Book of Essays.

6/24/16

"What the fairy tale provides for him is a St. George to kill the dragon"

"FAIRY TALES, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon.

"Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear."

~G.K. Chesterton: The Red Angel.
Continue reading The Red Angel here

1/29/16

The Turkey and the Turk

Cast of Characters

 ● Father Christmas
 ● The Doctor
 ● The Princess of the Mountains
 ● The Turkish Knight
 ● St. George

Father Christmas:
Here am I, Father Christmas; well you know it,
Though critics say it fades, my Christmas Tree,
Yet was it Dickens who became my poet
And who the Dickens may the critics be?

St. George:
I am St. George, whose cross in scutcheon scored,
Red as the Rose of England on me glows,
The Dragon who would pluck it, found this sword [draws sword]
Which is the thorn upon the English Rose.

Doctor:
I am the Doctor from Berlin. I kill
Germs and diseases upon handsome terms
There are so many ways of being ill —
Some trust the Germans. Some prefer the Germs.

The Turkish Knight:
I am the Turkish Knight: to sink and rise
In every Mummer's Play has been my work.
I am that Wrath that falls but never flies,
A Turkish Knight — but a most knightly Turk.

The Princess of the Mountains:
I am the Princess come from mountains shady
That are the world's last wall against the Turk.
I had to come; or there would be no lady
In this remarkable dramatic work.

[Enter Father Christmas with Christmas Pudding, Turkey, Flagons, etc.]

Father Christmas:
I will not drink; let the great flagon here
Till the great toasts are drunk, stand where it is.
But Christmas pudding comes but once a year
But many times a day. And none amiss [cuts off a piece]
The Christmas Pudding, round as the round sky,
Speckled with better things than stars.

Doctor [rushes in and arrests his hands]:
Forgive my haste. But men who eat that pudding die.

Father Christmas:
And men who do not eat it do not live. [eats]

Doctor:
Our last proofs show, for perils that appal,
A Christmas pudding is a cannon ball.
But you grow old—

Father Christmas:
And you grow always new
And every year you take a different view.
My every Christmas brings, with change and chills,
New doctors' doctrines with new doctors' bills.
Next year this pudding where I plant my knife
Will be the only food sustaining life.
The proverb holds; who shall decide or choose
When doctors disagree — with their own views?
Your drugs turn poisons and your poisons food.
And still this round and solid fact holds good —
While with themselves the doctors disagree
No Christmas pudding disagrees with me.

Doctor:
Progress is change; so is the whole world's youth
Afoot betimes to catch the newest truth,
While you in night-long wassail waste your breath
The early bird catches the worm of death,
Conquers the grave; and doth the secret know
Of life immortal.

Father Christmas:
For a month or so.
That, too, will change. Soon you will tell us all
That early rising is a daily fall,
That fever waits in fiery morning skies,
And Bed is the most bracing exercise.
You'll find for sluggards some more pleasing term
And cry "The Early Bird catches the Germ".

[Enter the Princess of the Mountains.]

Princess:
Save me and harbour me, all Christian folk,
For I am fleeing from the heathen might.
My mountain city is a trail of smoke,
My track is trampled by the Turkish Knight,
Already where I sink they shake the ground,
The flying towers, the horsemen of Mahound.

Doctor:
Mahound. More properly Muhammad. Quaint!
The wars of creeds — or demons — smoke and smother.
Each of the demons calls himself a saint —
Until two men can tolerate each other.

Princess:
So were we taught by many Turkish kings
To tolerate intolerable things.

Father Christmas:
I have a creed. Its name is charity
And at my table all men may agree.

Princess:
Folk of the West, bethink you, far from strife,
Through what more weary ages than you think,
Our broken swords covered your carving knife
And with our blood you bought the wine you drink,
That you might ply your kindlier Christmas work
And kill the Turkey while we killed the Turk.

Father Christmas:
I see one from the mounts ride amain
Who rather comes to slay than to be slain.

[Enter Turkish Knight.]

Turkish Knight:
I am the master of the sons of battle,
The cohorts of the Crescent of the night,
I for whom queens are slaves and slaves are cattle,
I claim this queen and slave out of my right.
I have burned her town and slain her sire in strife,
Is there a better way to earn a wife?

Princess:
A wife! This Turkish dog, like sheep in pen,
May herd a hundred wives — or bondwomen.

Doctor:
Consider, Set above the smoke of passion
Where high philosophy and reason reign.
I can give counsel in a cooler fashion
Who am the friend of peace, the foe of pain.
Consider — should this gentleman insist —
He might be worse than a polygamist.

Princess:
What could be worse, and what unworthier?

Doctor:
He might, like Bluebeard, be a widower.
The habit which enjoys a hundred wives
Suggests at least, that every wife — survives.

Princess:
Such are not things that such as I survive,
Nor shall such bridal see us both alive,
Nor I consent—

Turkish Knight:
Nor did I ask consent.
I did not ask your banner to be rent;
Your sire to fall, your battle-line to break,
I do not ask for anything I take.

Doctor:
She will find comfort in Philosophy.

Father Christmas:
You were right, Doctor; I am old. Woe's me,
My knife is a clown's sword for cutting grease. [flings down his carving knife]

Doctor [looking piously upward]:
Peace! Is not this the certain road to Peace?

[Enter St. George]

St. George:
Stop! For the doors are shut upon your treason,
I, George of Merry England, bar the way.
Not all so easily, not for a season,
You brave the anger of the saints at bay.
Red shall your cohorts be, your Crescent faint,
The hour you find — what will provoke a Saint.

Doctor:
Who is this mad Crusader?

Father Christmas [lifting his flagon]:
He is come!
Let burst the trumpets, dance upon the drum!
Shout till you deafen the dead! I drain the flagon.
England in arms! St. George that beat the Dragon!

Doctor:
You dream, old dotard, and your drunken tales
Are fumes of Yuletide vintages and ales.
The wine is in your head. Water and wine.
A Dragon! Snapdragon is more your line.

Father Christmas:
It may be. Who shall choose between us twain
Wine in the head or water on the brain?
But what of you, most prudent paragon,
You are frightened of the snapdragon
As of the Dragon, that St. George has beaten,
More scared to eat than he was to be eaten.

St. George:
At least I come in time to do redress
On a new Dragon for a new Princess.

Turkish Knight:
Sir, if my hundred wives indeed be sheep
I am the shepherd, who can count and keep,
And I keep this; had you a hundred lives
This sword should teach you to respect my wives.

St. George:
I will respect your widows.
Turkish Knight:
They that keep
The oracles of the Prophet see you sleep
Dead on your shield.

St. George:
I bear upon my shield
Death, and a certain lesson how to die —
Your Prophet lived to late to prophesy.

Princess:
See how the face of your strange Doctor sneers!

Doctor:
How should Peace stay when Piety appears
And men do murder for a change of words?
Yet might the Peace be held. Ere you cross swords
Knights of the Cross and Crescent, count the loss —

St. George:
Two swords in crossing make the sign of the cross
That frightens fiends.

[Doctor leaps back from the dash of swords.]

He's wounded in the hand;
Doctor, a Doctor — let the battle stand.

Doctor:
I am a doctor, sir, and I can cure
Complaints and maladies such Turks endure;
In Turkish camps where air and
water taints —

Turkish Knight:
You will find maladies, but not complaints.

Doctor:
But who will pay me if I cure the Turk?

St. George:
This hand will give you pay, which gives you work.

[He hangs his Red Cross shield up behind the Turkish Knight and Doctor.]

St. George:
For proof that Christian men war not as cattle
Above my foeman's head I hang my shield,
That shows far off o'er hideous wastes of battle
My sword has shattered but my shield has healed.

Father Christmas:
They say to every shield there are two sides.
So shall our champion show them as he rides,
And milder servants follow him in fight,
The Red Cross nurses to the Red Cross Knight.

Doctor:
Nurses and knights and all your chivalry
Would still be barren mercies but for me.
While you with liberal words would mend the Turk,
The healing hand of Science does your work,
While you show generous gestures, vague or grand
The healing hand of Science finds a hand.

[Produces a Mailed Fist — any sort of big pantomime glove of armour.]

Father Christmas:
Here is the sort of trick the doctors love
To take a hand and give us back a glove.

Turkish Knight:
What would you do? I do not understand.

Doctor:
The Gauntlet shall be mightier than the hand,
Science has found the hand of your desire
An iron hand, a hand for flinging fire,
A mailed fist, the ensign of your legions,
And from the fingers of it flames shall go,
Smoke and thick flames that poison vasty regions,
And blight the fields as well as blight the foe.
Fool and fantastic in your red-cross coat,
A more than human hand is at your throat,
A hand that chokes.

St. George:
I know that this is sure
Whatever man can do, man can endure,
Though you shall loose all laws of fight, and fashion
A torture-chamber from a tilting-yard,
Though iron hard as doom grow hot as passion,
Man shall be hotter, man shall be more hard,
And when an army in your hell-fire faints,
You shall find martyrs who were never saints.

Doctor:
I am weary of your sainthood. If you knew
You would, as even I do, quake. But you
Who in a painted halo put reliance
Fear naught.

St. George:
Not even the healing hand of science.

Doctor [furiously]:
Then at him, wound him, waste him utterly.

[They fight.]

Turkish Knight:
Ere I could wound him he has wounded me.

Princess:
The Turk is wounded in the leg —

Father Christmas:
Well fought!

Turkish Knight:
A Doctor, quick, a Doctor! It is naught,
To heal such scathe should be a petty task.
I answer for my answering of it. Ask
The Princess of the Mountains, for she knows,
How long wars wage in Eastern sands or snows.
No splitting of a slender tilting lance
For a crowd's gaping or a lady's glance,
War to the knife!

Doctor:
The surgeon's knife, my lord
The surgeon's knife is mightier than the sword.
Answer me now, old driveller, as you can,
When your great carving-knife has cured a man,
Or if these bones the war-dogs crush and crunch
Can be patched up with pudding or with punch.
Lady, I tell you all your mountain dead
Who on Kossovo of the Blackbirds bled,
There were the hero dies as a dog dies,
Might have re-risen as this man shall rise,
Answer me now, proud lady, as you can
Does Science help? Can Science save a man?
What do you see, for all your savage pride?

Princess:
I see always helping the wrong side.

Father Christmas [to St. George]:
This is not just. You fight not one but three,
I think that you grew wearier than he.

Princess:
Why should we patch this pirate up again?
Why should you always win, and win in vain?
Bid him not cut the leg, but cut the loss.

St. George:
I will not fire upon my own Red Cross.

Princess:
If you lay there, would he let you escape?

St. George:
I am his Conqueror and not his ape.

Doctor:
Be not so sure of conquering. He shall rise
On lighter feet, on feet that vault the skies.
Science shall make a mighty foot and new,
[Produces a sort of pantomime leg in armour and with wings.]
Light as the feather feet of Perseus flew,
Long as the seven-leagued boots in tales gone by,
This shall bestride the sea and ride the sky.
Thus shall he fly, and beat above your nation
The clashing pinions of Apocalypse,
Ye shall be deep-sea fish in pale prostration
Under the sky-foam of his flying ships.

[The Turkish Knight advances with the new leg, to fight again.]

When terror above your cities, dropping doom,
Shall shut all England in a lampless tomb,
Your widows and your orphans now forlorn
Shall be no safer than the dead they mourn.
When all their lights grow dark, their lives grow grey,
What will those widows and those orphans say?

St. George:
St. George for Merry England!

[They fight again, with more doubtful effect, but St. George at last smites the Turkish Knight on the head and he falls.]

Princess:
Down is the Crescent and its crest abased!

Doctor:
A head is very easily replaced.

Father Christmas:
More of this ironmongery that he hires.

Doctor:
Here is a Head no headache ever tires
Which never wants its hair cut, singed or curled,
The Business Head of all the Working World.

[Produces pantomime head of a German with a spiked helmet and spectacles — perhaps rather like the Doctor's own.]

Father Christmas:
Shall we again grant respite to our foe?

St. George:
I tell you Yes, man!

[The Turkish Knight suddenly lifts himself on his elbow.]

Turkish knight:
And I tell you No.
I'll have no more of your pale wizardry,
Leave me my wounded head and let me be.

Doctor:
What do you mean? A wound is only pain.
And why should I who twice, and now again,
Lead you to conquer, leave you now to die?

Turkish Knight:
Something may conquer. It will not be I.
If always thus you mend me when I fall,
There will be nothing of myself at all.
You arm me and you tame me and you trim,
Each time I gain a tool and lose a limb.
In wings and wheels all that I was will fade
And I shall be a monster You have made.

Doctor:
You hoped to have his head when you began.

Turkish Knight:
Base leech, I hoped to be the better man
And not the better mantrap. Leave alone!
I hoped to have his head — and keep my own [rousing himself].
When I came riding from the tents of morning
Clean as an arrow from my bended bow,
I had not need of such dead things' adorning,
No, by the panoply of the Prophet, no! [rises]
Lady, if we be less than you in love,
At least our hate as high as your shall stand.
And I have lost. The Devil take my glove [flings away the mailed hand],
And George of Merry England take my hand.

Princess:
Now is the Turkish Knight a knight at least.

Doctor:
A knight! They will be snivelling for a priest
To wed you to your Red Cross cut-throat here,
With all the mummeries of Faith — and Fear —
To suit this medieval mummery,
These fighting-cocks are caught in — Chivalry!
That in a tangle of fantastic rules
Makes them first foes, then friends, and always fools;
I would have rapt your souls to clearer rages,
On the top wave of Time, alive, alert.
I had done all that could outdare the ages.

Father Christmas [poking him with the carving knife]:
Friend, did you ever laugh? And did it hurt?
No matter — if you cannot laugh, my friend,
You can be laughed at: let us laugh — and end.
Dragon and snapdragon alike take flight
With cockcrow. Take a slash at Turkish Knight,
Or take a slice of Turkey, as you choose,
And have the German Doctor for the goose —
And if the goose must cackle — if he tease
With talk of medieval mummeries,
Ask him what else but Mummery, I pray,
He asks from Mummers upon Christmas Day?

5/16/15

"There is something in the universe more mystical than darkness"

"FAIRY TALES, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear."

~G.K. Chesterton: The Red Angel.

● Continue reading The Red Angel

Instead Of Sleep, by Tatiana Deriy; 1973, Russian.

4/23/15

The Englishman

St. George he was for England.
And before he killed the dragon
He drank a pint of English ale
Out of an English flagon.
For though he fast right readily
In hair-shirt or in mail.
It isn't safe to give him cakes
Unless you give him ale.

St. George he was for England,
And right gallantly set free
The lady left for dragon's meat
And tied up to a tree;
But since he stood for England
And knew what England means,
Unless you give him bacon
You mustn't give him beans.

St. George he is for England,
And shall wear the shield he wore
When we go out in armour
With the battle-cross before.
But though he is jolly company
And very pleased to dine,
It isn't safe to give him nuts
Unless you give him wine.

~G.K. Chesterton

Drawing by GKC

11/11/12

The Red Angel

I FIND that there really are human beings who think fairy tales bad for children. I do not speak of the man in the green tie, for him I can never count truly human. But a lady has written me an earnest letter saying that fairy tales ought not to be taught to children even if they are true. She says that it is cruel to tell children fairy tales, because it frightens them. You might just as well say that it is cruel to give girls sentimental novels because it makes them cry. All this kind of talk is based on that complete forgetting of what a child is like which has been the firm foundation of so many educational schemes. If you keep bogies and goblins away from children they would make them up for themselves. One small child in the dark can invent more hells than Swedenborg. One small child can imagine monsters too big and black to get into any picture, and give them names too unearthly and cacophonous to have occurred in the cries of any lunatic. The child, to begin with, commonly likes horrors, and he continues to indulge in them even when he does not like them. There is just as much difficulty in saying exactly where pure pain begins in his case, as there is in ours when we walk of our own free will into the torture-chamber of a great tragedy. The fear does not come from fairy tales; the fear comes from the universe of the soul.
.....

The timidity of the child or the savage is entirely reasonable; they are alarmed at this world, because this world is a very alarming place. They dislike being alone because it is verily and indeed an awful idea to be alone. Barbarians fear the unknown for the same reason that Agnostics worship it—because it is a fact. Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon.

Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear. When I was a child I have stared at the darkness until the whole black bulk of it turned into one negro giant taller than heaven. If there was one star in the sky it only made him a Cyclops. But fairy tales restored my mental health, for next day I read an authentic account of how a negro giant with one eye, of quite equal dimensions, had been baffled by a little boy like myself (of similar inexperience and even lower social status) by means of a sword, some bad riddles, and a brave heart. Sometimes the sea at night seemed as dreadful as any dragon. But then I was acquainted with many youngest sons and little sailors to whom a dragon or two was as simple as the sea.

Take the most horrible of Grimm's tales in incident and imagery, the excellent tale of the "Boy who Could not Shudder," and you will see what I mean. There are some living shocks in that tale. I remember specially a man's legs which fell down the chimney by themselves and walked about the room, until they were rejoined by the severed head and body which fell down the chimney after them. That is very good. But the point of the story and the point of the reader's feelings is not that these things are frightening, but the far more striking fact that the hero was not frightened at them. The most fearful of all these fearful wonders was his own absence of fear. He slapped the bogies on the back and asked the devils to drink wine with him; many a time in my youth, when stifled with some modern morbidity, I have prayed for a double portion of his spirit. If you have not read the end of his story, go and read it; it is the wisest thing in the world. The hero was at last taught to shudder by taking a wife, who threw a pail of cold water over him. In that one sentence there is more of the real meaning of marriage than in all the books about sex that cover Europe and America.


.....

At the four corners of a child's bed stand Perseus and Roland, Sigurd and St. George. If you withdraw the guard of heroes you are not making him rational; you are only leaving him to fight the devils alone. For the devils, alas, we have always believed in. The hopeful element in the universe has in modern times continually been denied and reasserted; but the hopeless element has never for a moment been denied. As I told "H. N. B." (whom I pause to wish a Happy Christmas in its most superstitious sense), the one thing modern people really do believe in is damnation. The greatest of purely modern poets summed up the really modern attitude in that fine Agnostic line—

"There may be Heaven; there must be Hell."

The gloomy view of the universe has been a continuous tradition; and the new types of spiritual investigation or conjecture all begin by being gloomy. A little while ago men believed in no spirits. Now they are beginning rather slowly to believe in rather slow spirits.


.....

Some people objected to spiritualism, table rappings, and such things, because they were undignified, because the ghosts cracked jokes or waltzed with dinner-tables. I do not share this objection in the least. I wish the spirits were more farcical than they are. That they should make more jokes and better ones, would be my suggestion. For almost all the spiritualism of our time, in so far as it is new, is solemn and sad. Some Pagan gods were lawless, and some Christian saints were a little too serious; but the spirits of modern spiritualism are both lawless and serious—a disgusting combination. The specially contemporary spirits are not only devils, they are blue devils. This is, first and last, the real value of Christmas; in so far as the mythology remains at all it is a kind of happy mythology. Personally, of course, I believe in Santa Claus; but it is the season of forgiveness, and I will forgive others for not doing so. But if there is anyone who does not comprehend the defect in our world which I am civilising, I should recommend him, for instance, to read a story by Mr. Henry James, called "The Turn of the Screw." It is one of the most powerful things ever written, and it is one of the things about which I doubt most whether it ought ever to have been written at all. It describes two innocent children gradually growing at once omniscient and half-witted under the influence of the foul ghosts of a groom and a governess. As I say, I doubt whether Mr. Henry James ought to have published it (no, it is not indecent, do not buy it; it is a spiritual matter), but I think the question so doubtful that I will give that truly great man a chance. I will approve the thing as well as admire it if he will write another tale just as powerful about two children and Santa Claus. If he will not, or cannot, then the conclusion is clear; we can deal strongly with gloomy mystery, but not with happy mystery; we are not rationalists, but diabolists.

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I have thought vaguely of all this staring at a great red fire that stands up in the room like a great red angel. But, perhaps, you have never heard of a red angel. But you have heard of a blue devil. That is exactly what I mean.

~G.K. Chesterton: Tremendous Trifles, XVII.

St. George Fighting the Dragon, by Raffaello Sanzio.
Oil on wood, 1503-05; Musée du Louvre, Paris.