Clerihew: Miguel de Cervantes

The people of Spain think Cervantes
Equal to half-a-dozen Dantes:
An opinion resented most bitterly
By the people of Italy.

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"Nature can be a sort of fairy godmother"

"EVEN the nature-worship which Pagans have felt, even the nature-love which Pantheists have felt, ultimately depends as much on some implied purpose and positive good in things, as does the direct thanksgiving which Christians have felt. Indeed Nature is at best merely a female name we give to Providence when we are not treating it very seriously; a piece of feminist mythology. There is a sort of fireside fairytale, more fitted for the hearth than for the altar; and in that what is called Nature can be a sort of fairy godmother. But there can only be fairy godmothers because there are godmothers; and there can only be godmothers because there is God."

~G.K. Chesterton: Autobiography, Chap. XVI. The God With the Golden Key.

The Nightmare

A SUNSET of copper and gold had just broken down and gone to pieces in the west, and grey colours were crawling over everything in earth and heaven; also a wind was growing, a wind that laid a cold finger upon flesh and spirit. The bushes at the back of my garden began to whisper like conspirators; and then to wave like wild hands in signal. I was trying to read by the last light that died on the lawn a long poem of the decadent period, a poem about the old gods of Babylon and Egypt, about their blazing and obscene temples, their cruel and colossal faces.

"Or didst thou love the God of Flies who plagued
    the Hebrews and was splashed
With wine unto the waist, or Pasht who had green
    beryls for her eyes?"

I read this poem because I had to review it for the Daily News; still it was genuine poetry of its kind. It really gave out an atmosphere, a fragrant and suffocating smoke that seemed really to come from the Bondage of Egypt or the Burden of Tyre. There is not much in common (thank God) between my garden with the grey-green English sky-line beyond it, and these mad visions of painted palaces, huge, headless idols and monstrous solitudes of red or golden sand. Nevertheless (as I confessed to myself) I can fancy in such a stormy twilight some such smell of death and fear. The ruined sunset really looks like one of their ruined temples: a shattered heap of gold and green marble. A black flapping thing detaches itself from one of the sombre trees and flutters to another. I know not if it is owl or flittermouse; I could fancy it was a black cherub, an infernal cherub of darkness, not with the wings of a bird and the head of a baby, but with the head of a goblin and the wings of a bat. I think, if there were light enough, I could sit here and write some very creditable creepy tale, about how I went up the crooked road beyond the church and met Something—say a dog, a dog with one eye. Then I should meet a horse, perhaps, a horse without a rider; the horse also would have one eye. Then the inhuman silence would be broken; I should meet a man (need I say, a one-eyed man?) who would ask me the way to my own house. Or perhaps tell me that it was burnt to the ground. I think I could tell a very cosy little tale along some such lines. Or I might dream of climbing for ever the tall dark trees above me. They are so tall that I feel as if I should find at their tops the nests of the angels; but in this mood they would be dark and dreadful angels; angels of death.

              *              *              *              *              *

Only, you see, this mood is all bosh. I do not believe it in the least. That one-eyed universe, with its one-eyed men and beasts, was only created with one universal wink. At the top of the tragic trees I should not find the Angel's Nest. I should only find the Mare's Nest; the dreamy and divine nest is not there. In the Mare's Nest I shall discover that dim, enormous opalescent egg from which is hatched the Nightmare. For there is nothing so delightful as a nightmare-when you know it is a nightmare.

That is the essential. That is the stern condition laid upon all artists touching this luxury of fear. The terror must be fundamentally frivolous. Sanity may play with insanity; but insanity must not be allowed to play with sanity. Let such poets as the one I was reading in the garden, by all means, be free to imagine what outrageous deities and violent landscapes they like. By all means let them wander freely amid their opium pinnacles and perspectives. But these huge gods, these high cities, are toys; they must never for an instant be allowed to be anything else. Man, a gigantic child, must play with Babylon and Nineveh, with Isis and with Ashtaroth. By all means let him dream of the Bondage of Egypt, so long as he is free from it. By all means let him take up the Burden of Tyre, so long as he can take it lightly. But the old gods must be his dolls, not his idols. His central sanctities, his true possessions, should be Christian and simple. And just as a child would cherish most a wooden horse or a sword that is a mere cross of wood, so man, the great child, must cherish most the old plain things of poetry and piety; that horse of wood that was the epic end of Ilium, or that cross of wood that redeemed and conquered the world.

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In one of Stevenson's letters there is a characteristically humorous remark about the appalling impression produced on him in childhood by the beasts with many eyes in the Book of Revelations: "If that was heaven, what in the name of Davy Jones was hell like?" Now in sober truth there is a magnificent idea in these monsters of the Apocalypse. It is, I suppose, the idea that beings really more beautiful or more universal than we are might appear to us frightful and even confused. Especially they might seem to have senses at once more multiplex and more staring; an idea very imaginatively seized in the multitude of eyes. I like those monsters beneath the throne very much. But I like them beneath the throne. It is when one of them goes wandering in deserts and finds a throne for himself that evil faiths begin, and there is (literally) the devil to pay—to pay in dancing girls or human sacrifice. As long as those misshapen elemental powers are around the throne, remember that the thing that they worship is the likeness of the appearance of a man.

That is, I fancy, the true doctrine on the subject of Tales of Terror and such things, which unless a man of letters do well and truly believe, without doubt he will end by blowing his brains out or by writing badly. Man, the central pillar of the world must be upright and straight; around him all the trees and beasts and elements and devils may crook and curl like smoke if they choose. All really imaginative literature is only the contrast between the weird curves of Nature and the straightness of the soul. Man may behold what ugliness he likes if he is sure that he will not worship it; but there are some so weak that they will worship a thing only because it is ugly. These must be chained to the beautiful. It is not always wrong even to go, like Dante, to the brink of the lowest promontory and look down at hell. It is when you look up at hell that a serious miscalculation has probably been made.

              *              *              *              *              *

Therefore I see no wrong in riding with the Nightmare to-night; she whinnies to me from the rocking tree-tops and the roaring wind; I will catch her and ride her through the awful air. Woods and weeds are alike tugging at the roots in the rising tempest, as if all wished to fly with us over the moon, like that wild, amorous cow whose child was the Moon-Calf. We will rise to that mad infinite where there is neither up nor down, the high topsy-turveydom of the heavens. I will ride on the Nightmare; but she shall not ride on me.

~G.K. Chesterton: The Daily News, Oct. 16, 1909; collected in Alarms and Discursions, 1911.

"The new Trinity"

"WE can say that the family is the unit of the state; that it is the cell that makes up the formation. Round the family do indeed gather the sanctities that separate men from ants and bees. Decency is the curtain of that tent; liberty is the wall of that city; property is but the family farm; honour is but the family flag. In the practical proportions of human history, we come back to that fundamental of the father and the mother and the child. It has been said already that if this story cannot start with religious assumptions, it must none the less start with some moral or metaphysical assumptions, or no sense can be made of the story of man. And this is a very good instance of that alternative necessity. If we are not of those who begin by invoking a divine Trinity, we must none the less invoke a human Trinity; and see that triangle repeated everywhere in the pattern of the world. For the highest event in history, to which all history looks forward and leads up, is only something that is at once the reversal and the renewal of that triangle. Or rather it is the one triangle superimposed so as to intersect the other, making a sacred pentacle of which, in a mightier sense than that of the magicians, the fiends are afraid. The old Trinity was of father and mother and child and is called the human family. The new is of child and mother and father and has the name of the Holy Family. It is in no way altered except in being entirely reversed; just as the world which is transformed was not in the least different, except in being turned upside-down."

~G.K. Chesterton: The Everlasting Man, Part I, Chap. II. Professors and Prehistoric Men.

The Two Trinities, by Bartolomé Esteban Murillo; 

Oil on canvas, 1675-82. National Gallery, London.

"Religion is returning from her exile"

"EUROPE at present exhibits a concentration upon politics which is partly the unfortunate result of our loss of religion, partly the just and needful result of our loss of our social inequality and iniquity. These causes, however, will not remain in operation for ever. Religion is returning from her exile; it is more likely that the future will be crazily and corruptly superstitious than that it will be merely rationalist."

~G.K. Chesterton: from What is Right With the World (Collected in The Apostle and the Wild Ducks and other essays)

"The wild truth reeling but erect"

"IT WOULD have been easy, in the Calvinistic seventeenth century, to fall into the bottomless pit of predestination. It is easy to be a madman: it is easy to be a heretic. It is always easy to let the age have its head; the difficult thing is to keep one's own. It is always easy to be a modernist; as it is easy to be a snob. To have fallen into any of those open traps of error and exaggeration which fashion after fashion and sect after sect set along the historic path of Christendom — that would indeed have been simple. To have fallen into any one of the fads from Gnosticism to Christian Science would indeed have been obvious and tame. But to have avoided them all has been one whirling adventure; and in my vision the heavenly chariot flies thundering through the ages, the dull heresies sprawling and prostrate, the wild truth reeling but erect."

~G.K. Chesterton: Orthodoxy, Chap VI.

Human Nature: Or Marconi Memories

(FROM OUR "SIMPLIFIED PSYCHOLOGY FOR STATESMEN" SERIES)

Human nature is a bird
Whose complaint is often heard,
And will make demands of any legislature;
And you need not claim to be
Giving seven pence for three;
It exceeds the wildest hopes of Human Nature.

Human Nature is a thing
It is difficult to sing,
And very much more difficult to deal with:
But you need not call it "function"—
You can own without compunction
That your brother is a man you take a meal with.

Human Nature it prefers
To be told of what occurs
Without suppressing any vital feature;
And when statesmen hold their peace
Until searched by the police,
It rasps the finer edge of Human Nature.

Human Nature, it is said,
Thinks investment should be made
By someone who has cash enough to pay it;
And that one who pouched the pay,
And had nothing more to say.
Need not go to South America to say it.

Human Nature is not keen
On the words "corrupt" or "clean"
Or any other shades of nomenclature;
But, when what the Party cost
Is discovered when it's lost,
A shade of doubt is merely Human Nature.

Human Nature it is prone
To be soft about the Throne,
And even make the Peerage paramounter;
But it startles it to drop
Into Mr. Pearson's shop,
And find a Scottish Lord behind the counter.

So till all men learn the truth
(And not only Handel Booth)
And the Gospel has been preached to every creature,
Even rotten things may fail,
Even thieves may go to gaol,
And all through not observing Human Nature.

~G.K. Chesterton