ONE of the strangest examples of the degree to which ordinary life is undervalued is the example of popular literature, the vast mass of which we contentedly describe as vulgar. The boy's novelette may be ignorant in a literary sense, which is only like saying that a modern novel is ignorant in the chemical sense, or the economic sense, or the astronomical sense; but it is not vulgar intrinsically—it is the actual centre of a million flaming imaginations.
In former centuries the educated class ignored the ruck of vulgar literature. They ignored, and therefore did not, properly speaking, despise it. Simple ignorance and indifference does not inflate the character with pride. A man does not walk down the street giving a haughty twirl to his moustaches at the thought of his superiority to some variety of deep-sea fishes. The old scholars left the whole under-world of popular compositions in a similar darkness.
To-day, however, we have reversed this principle. We do despise vulgar compositions, and we do not ignore them. We are in some danger of becoming petty in our study of pettiness; there is a terrible Circean law in the background that if the soul stoops too ostentatiously to examine anything it never gets up again. There is no class of vulgar publications about which there is, to my mind, more utterly ridiculous exaggeration and misconception than the current boys' literature of the lowest stratum. This class of composition has presumably always existed, and must exist. It has no more claim to be good literature than the daily conversation of its readers to be fine oratory, or the lodging-houses and tenements they inhabit to be sublime architecture. But people must have conversation, they must have houses, and they must have stories. The simple need for some kind of ideal world in which fictitious persons play an unhampered part is infinitely deeper and older than the rules of good art, and much more important. Every one of us in childhood has constructed such an invisible dramatis personæ, but it never occurred to our nurses to correct the composition by careful comparison with Balzac. In the East the professional story-teller goes from village to village with a small carpet; and I wish sincerely that anyone had the moral courage to spread that carpet and sit on it in Ludgate Circus. But it is not probable that all the tales of the carpet-bearer are little gems of original artistic workmanship. Literature and fiction are two entirely different things. Literature is a luxury; fiction is a necessity. A work of art can hardly be too short, for its climax is its merit. A story can never be too long, for its conclusion is merely to be deplored, like the last halfpenny or the last pipelight. And so, while the increase of the artistic conscience tends in more ambitious works to brevity and impressionism, voluminous industry still marks the producer of the true romantic trash. There was no end to the ballads of Robin Hood; there is no end to the volumes about Dick Deadshot and the Avenging Nine. These two heroes are deliberately conceived as immortal.
But instead of basing all discussion of the problem upon the common-sense recognition of this fact—that the youth of the lower orders always has had and always must have formless and endless romantic reading of some kind, and then going on to make provision for its wholesomeness—we begin, generally speaking, by fantastic abuse of this reading as a whole and indignant surprise that the errand-boys under discussion do not read 'The Egoist' and 'The Master Builder.' It is the custom, particularly among magistrates, to attribute half the crimes of the Metropolis to cheap novelettes. If some grimy urchin runs away with an apple, the magistrate shrewdly points out that the child's knowledge that apples appease hunger is traceable to some curious literary researches. The boys themselves, when penitent, frequently accuse the novelettes with great bitterness, which is only to be expected from young people possessed of no little native humour. If I had forged a will, and could obtain sympathy by tracing the incident to the influence of Mr. George Moore's novels, I should find the greatest entertainment in the diversion. At any rate, it is firmly fixed in the minds of most people that gutter-boys, unlike everybody else in the community, find their principal motives for conduct in printed books.
Now it is quite clear that this objection, the objection brought by magistrates, has nothing to do with literary merit. Bad story writing is not a crime. Mr. Hall Caine walks the streets openly, and cannot be put in prison for an anticlimax. The objection rests upon the theory that the tone of the mass of boys' novelettes is criminal and degraded, appealing to low cupidity and low cruelty. This is the magisterial theory, and this is rubbish.
So far as I have seen them, in connection with the dirtiest book-stalls in the poorest districts, the facts are simply these: The whole bewildering mass of vulgar juvenile literature is concerned with adventures, rambling, disconnected and endless. It does not express any passion of any sort, for there is no human character of any sort. It runs eternally in certain grooves of local and historical type: the medieval knight, the eighteenth-century duellist, and the modern cowboy, recur with the same stiff simplicity as the conventional human figures in an Oriental pattern. I can quite as easily imagine a human being kindling wild appetites by the contemplation of his Turkey carpet as by such dehumanized and naked narrative as this.
Among these stories there are a certain number which deal sympathetically with the adventures of robbers, outlaws and pirates, which present in a dignified and romantic light thieves and murderers like Dick Turpin and Claude Duval. That is to say, they do precisely the same thing as Scott's 'Ivanhoe,' Scott's 'Rob Roy,' Scott's 'Lady of the Lake,' Byron's 'Corsair,' Wordsworth's 'Rob Roy's Grave,' Stevenson's 'Macaire,' Mr. Max Pemberton's 'Iron Pirate,' and a thousand more works distributed systematically as prizes and Christmas presents. Nobody imagines that an admiration of Locksley in 'Ivanhoe' will lead a boy to shoot Japanese arrows at the deer in Richmond Park; no one thinks that the incautious opening of Wordsworth at the poem on Rob Roy will set him up for life as a blackmailer. In the case of our own class, we recognise that this wild life is contemplated with pleasure by the young, not because it is like their own life, but because it is different from it. It might at least cross our minds that, for whatever other reason the errand-boy reads 'The Red Revenge,' it really is not because he is dripping with the gore of his own friends and relatives.
In this matter, as in all such matters, we lose our bearings entirely by speaking of the 'lower classes' when we mean humanity minus ourselves. This trivial romantic literature is not especially plebeian: it is simply human. The philanthropist can never forget classes and callings. He says, with a modest swagger, 'I have invited twenty-five factory hands to tea.' If he said 'I have invited twenty-five chartered accountants to tea,' everyone would see the humour of so simple a classification. But this is what we have done with this lumberland of foolish writing: we have probed, as if it were some monstrous new disease, what is, in fact, nothing but the foolish and valiant heart of man. Ordinary men will always be sentimentalists: for a sentimentalist is simply a man who has feelings and does not trouble to invent a new way of expressing them. These common and current publications have nothing essentially evil about them. They express the sanguine and heroic truisms on which civilization is built; for it is clear that unless civilization is built on truisms, it is not built at all. Clearly, there could be no safety for a society in which the remark by the Chief Justice that murder was wrong was regarded as an original and dazzling epigram.
If the authors and publishers of 'Dick Deadshot,' and such remarkable works, were suddenly to make a raid upon the educated class, were to take down the names of every man, however distinguished, who was caught at a University Extension Lecture, were to confiscate all our novels and warn us all to correct our lives, we should be seriously annoyed. Yet they have far more right to do so than we; for they, with all their idiotcy, are normal and we are abnormal. It is the modern literature of the educated, not of the uneducated, which is avowedly and aggressively criminal. Books recommending profligacy and pessimism, at which the high-souled errand-boy would shudder, lie upon all our drawing-room tables. If the dirtiest old owner of the dirtiest old bookstall in Whitechapel dared to display works really recommending polygamy or suicide, his stock would be seized by the police. These things are our luxuries. And with a hypocrisy so ludicrous as to be almost unparalleled in history, we rate the gutter-boys for their immorality at the very time that we are discussing (with equivocal German Professors) whether morality is valid at all. At the very instant that we curse the Penny Dreadful for encouraging thefts upon property, we canvass the proposition that all property is theft. At the very instant we accuse it (quite unjustly) of lubricity and indecency, we are cheerfully reading philosophies which glory in lubricity and indecency. At the very instant that we charge it with encouraging the young to destroy life, we are placidly discussing whether life is worth preserving.
But it is we who are the morbid exceptions; it is we who are the criminal class. This should be our great comfort. The vast mass of humanity, with their vast mass of idle books and idle words, have never doubted and never will doubt that courage is splendid, that fidelity is noble, that distressed ladies should be rescued, and vanquished enemies spared. There are a large number of cultivated persons who doubt these maxims of daily life, just as there are a large number of persons who believe they are the Prince of Wales; and I am told that both classes of people are entertaining conversationalists. But the average man or boy writes daily in these great gaudy diaries of his soul, which we call Penny Dreadfuls, a plainer and better gospel than any of those iridescent ethical paradoxes that the fashionable change as often as their bonnets. It may be a very limited aim in morality to shoot a 'many-faced and fickle traitor,' but at least it is a better aim than to be a many-faced and fickle traitor, which is a simple summary of a good many modern systems from Mr. d'Annunzio's downwards. So long as the coarse and thin texture of mere current popular romance is not touched by a paltry culture it will never be vitally immoral. It is always on the side of life. The poor—the slaves who really stoop under the burden of life—have often been mad, scatter-brained and cruel, but never hopeless. That is a class privilege, like cigars. Their drivelling literature will always be a 'blood and thunder' literature, as simple as the thunder of heaven and the blood of men.
~G.K. Chesterton: from The Defendant
"THE thing behind Bolshevism and many other modern things is a new doubt. It is not merely a doubt about God; it is rather specially a doubt about Man. The old morality, the Christian religion, the Catholic Church, differed from all this new mentality because it really believed in the rights of men. That is, it believed that ordinary men were clothed with powers and privileges and a kind of authority. Thus the ordinary man had a right to deal with dead matter, up to a given point; that is the right of property. Thus the ordinary man had a right to rule the other animals within reason; that is the objection to vegetarianism and many other things. The ordinary man had a right to judge about his own health, and what risks he would take with the ordinary things of his environment; that is the objection to Prohibition and many other things. The ordinary man had a right to judge of his children’s health, and generally to bring up children to the best of his ability; that is the objection to many interpretations of modern State education. Now in these primary things in which the old religion trusted a man, the new philosophy utterly distrusts a man. It insists that he must be a very rare sort of man to have any rights in these matters; and when he is the rare sort, he has the right to rule others even more than himself."
~G.K. Chesterton: The Outline of Sanity.
OF OLD with a divided heart
I saw my people's pride expand,
Since a man's soul is torn apart
By mother earth and fatherland.
I knew, through many a tangled tale,
Glory and truth not one but two:
King, Constable, and Amirail
Took me like trumpets: but I knew
A blacker thing than blood's own dye
Weighed down great Hawkins on the sea;
And Nelson turned his blindest eye
On Naples and on liberty.
Therefore to you my thanks, O throne,
O thousandfold and frozen folk,
For whose cold frenzies all your own
The Battle of the Rivers broke;
Who have no faith a man could mourn.
Nor freedom any man desires;
But in a new clean light of scorn
Close up my quarrel with my sires;
Who bring my English heart to me,
Who mend me like a broken toy;
Till I can see you fight and flee,
And laugh as if I were a boy.
ANY amount of nonsense has been talked about the need of novelty, and in that sense there is nothing particularly meritorious about being modern. A man who seriously describes his creed as Modernism might just as well invent a creed called Mondayism, meaning that he puts special faith in the fancies that occurred to him on Monday; or a creed called Morningism, meaning that he believed in the thoughts that occurred to him in the morning but not in the afternoon.
Modernity is only the moment of time in which we happen to find ourselves, and nobody who thinks will suppose that it is bound to be superior, either to the time that comes after it or to the time that went before. But in a relative and rational sense we may congratulate ourselves on knowing the news of the moment, and having realised recent facts or discoveries that some people still ignore.
And it is in that sense that we may truly call the fundamental concept of Catholic Education a scientific fact, and especially a psychological fact. Our demand for a complete culture, based on its own philosophy and religion, is a demand that is really unanswerable, in the light of the most vital and even the most modern psychology. For that matter, for those who care for such things, there could hardly be a word more modern than atmosphere.
Now, so long as they are engaged in doing anything whatever except arguing with us, our modern and scientific friends are never tired of telling us that education must be treated as a whole; that all parts of the mind affect each other; that nothing is too trivial to be significant and even symbolic; that all thoughts can be coloured by conscious or unconscious emotions; that knowledge can never be in watertight compartments; that what may seem a senseless detail may be the symbol of a deep desire; that nothing is negative, nothing is naked, nothing stands separate and alone.
They use these arguments for all sorts of purposes, some of them sensible enough, some of them almost insanely silly; but this is, broadly speaking, how they argue. And the one thing they do not know is that they are arguing in favour of Catholic education, and especially in favour of Catholic atmosphere in Catholic schools. Perhaps if they did know they would leave off.
As a matter of fact, those who refuse to understand that Catholic children must have an entirely Catholic school are back in the bad old days, as they would express it, when nobody wanted education but only instruction. They are relics of the dead time when it was thought enough to drill pupils in two or three dull and detached lessons that were supposed to be quite mechanical. They descend from the original Philistine who first talked about "The Three R.s"; and the joke about him is very symbolic of his type or time. For he was the sort of man who insists very literally on literacy, and, even in doing so, shows himself illiterate.
They were very uneducated rich men who loudly demanded education. And among the marks of their ignorance and stupidity was the particular mark that they regarded letters and figures as dead things, quite separate from each other and from a general view of life. They thought of a boy learning his letters as something quite cut off, for instance, from what is meant by a man of letters. They thought a calculating boy could be made like a calculating machine.
When somebody said to them, therefore, "These things must be taught in a spiritual atmosphere", they thought it was nonsense; they had a vague idea that it meant that a child could only do a simple addition sum when surrounded with the smell of incense. But they thought simple addition much more simple than it is. When the Catholic controversialist said to them, "Even the alphabet can be learnt in a Catholic way", they thought he was a raving bigot, they thought he meant that nobody must ever read anything but a Latin missal.
But he meant what he said, and what he said is thoroughly sound psychology. There is a Catholic view of learning the alphabet; for instance, it prevents you from thinking that the only thing that matters is learning the alphabet; or from despising better people than yourself, if they do not happen to have learnt the alphabet.
The old unpsychological school of instructors used to say: "What possible sense can there be in mixing up arithmetic with religion?" But arithmetic is mixed up with religion, or at the worst with philosophy. It does make a great deal of difference whether the instructor implies that truth is real, or relative, or changeable, or an illusion. The man who said, "Two and two may make five in the fixed stars", was teaching arithmetic in an anti-rational way, and, therefore, in an anti-Catholic way. The Catholic is much more certain about the fixed truths than about the fixed stars.
But I am not now arguing which philosophy is the better; I am only pointing out that every education teaches a philosophy; if not by dogma then by suggestion, by implication, by atmosphere. Every part of that education has a connection with every other part. If it does not all combine to convey some general view of life, it is not education at all. And the modern educationists, the modern psychologists, the modern men of science, all agree in asserting and reasserting this ─
until they begin to quarrel with Catholics over Catholic schools.
In short, if there is a psychological truth discoverable by human reason, it is this; that Catholics must either go without Catholic teaching or possess and govern Catholic schools. There is a case for refusing to allow Catholic families to grow up Catholic, by any machinery worth calling education in the existing sense. There is a case for refusing to make any concessions to Catholics at all, and ignoring their idiosyncrasy as if it were an insanity. There is a case for that, because there is and always has been a case for persecution; for the State acting on the principle that certain philosophies are false and dangerous and must be crushed even if they are sincerely held; indeed that they must be crushed, especially if they are sincerely held.
But if Catholics are to teach Catholicism all the time, they cannot merely teach Catholic theology for part of the time. It is our opponents, and not we, who give a really outrageous and superstitious position to dogmatic theology. It is they who suppose that the special "subject" called theology can be put into people by an experiment lasting half an hour; and that this magical inoculation will last them through a week in a world that is soaked through and through with a contrary conception of life.
Theology is only articulate religion; but, strange as it seems to the true Christians who criticise us, it is necessary to have religion as well as theology. And religion, as they are often obliging enough to remind us when this particular problem is not involved, is a thing for every day of the week and not merely for Sunday or Church services.
The truth is that the modern world has committed itself to two totally different and inconsistent conceptions about education. It is always trying to expand the scope of education; and always trying to exclude from it all religion and philosophy. But this is sheer nonsense. You can have an education that teaches atheism because atheism is true, and it can be, from its own point of view, a complete education. But you cannot have an education claiming to teach all truth, and then refusing to discuss whether atheism is true.
Since the coming of the more ambitious psychological education, our schools have claimed to develop all sides of human nature; that is, to produce a complete human being. You cannot do this and totally ignore a great living tradition, which teaches that a complete human being must be a Christian or Catholic human being. You must either persecute it out of existence or allow it to make its own education complete.
When schooling was supposed to consist of spelling, of counting and making pothooks and hangers, you might make out some kind of case for saying that it could be taught indifferently by a Baptist or Buddhist. But what in the world is the sense of having an education which includes lessons in "citizenship", for instance; and then pretending not to include anything like a moral theory, and ignoring all those who happen to hold that a moral theory depends on a moral theology.
Our schoolmasters profess to bring out every side of the pupil; the aesthetic side; the athletic side; the political side, and so on; and yet they still talk the stale cant of the nineteenth century about public instruction having nothing to do with the religious side. The truth is that, in this matter, it is our enemies who are stick-in-the mud, and still remain in the stuffy atmosphere of undeveloped and unscientific education; while we are, in this at any rate, on the side of all modern psychologists and serious educationists in recognising the idea of atmosphere. They sometimes like to call it environment.
~G.K. Chesterton: from The Common Man
Great God, that bowest sky and star,
Bow down our towering thoughts to thee,
And grant us in a faltering war
The firm feet of humility.
Lord, we that snatch the swords of flame,
Lord, we that cry about Thy car.
We too are weak with pride and shame,
We too are as our foemen are.
Yea, we are mad as they are mad,
Yea, we are blind as they are blind,
Yea, we are very sick and sad
Who bring good news to all mankind.
The dreadful joy Thy Son has sent
Is heavier than any care;
We find, as Cain his punishment,
Our pardon more than we can bear.
Lord, when we cry Thee far and near
And thunder through all lands unknown
The gospel into every ear,
Lord, let us not forget our own.
Cleanse us from ire of creed or class,
The anger of the idle tings;
Sow in our souls, like living grass,
The laughter of all lowly things.
~G.K. Chesterton
SMILE at us, pay us, pass us; but do not quite forget;
For we are the people of England, that never have spoken yet.
There is many a fat farmer that drinks less cheerfully,
There is many a free French peasant who is richer and sadder than we.
There are no folk in the whole world so helpless or so wise.
There is hunger in our bellies, there is laughter in our eyes;
You laugh at us and love us, both mugs and eyes are wet:
Only you do not know us. For we have not spoken yet.
The fine French kings came over in a flutter of flags and dames.
We liked their smiles and battles, but we never could say their names.
The blood ran red to Bosworth and the high French lords went down;
There was naught but a naked people under a naked crown.
And the eyes of the King's Servants turned terribly every way,
And the gold of the King's Servants rose higher every day.
They burnt the homes of the shaven men, that had been quaint and kind,
Till there was no bed in a monk's house, nor food that man could find.
The inns of God where no man paid, that were the wall of the weak.
The King's Servants ate them all. And still we did not speak.
And the face of the King's Servants grew greater than the King:
He tricked them, and they trapped him, and stood round him in a ring.
The new grave lords closed round him, that had eaten the abbey's fruits,
And the men of the new religion, with their bibles in their boots,
We saw their shoulders moving, to menace or discuss,
And some were pure and some were vile; but none took heed of us.
We saw the King as they killed him, and his face was proud and pale;
And a few men talked of freedom, while England talked of ale.
A war that we understood not came over the world and woke
Americans, Frenchmen, Irish; but we knew not the things they spoke.
They talked about rights and nature and peace and the people's reign:
And the squires, our masters, bade us fight; and scorned us never again.
Weak if we be for ever, could none condemn us then;
Men called us serfs and drudges; men knew that we were men.
In foam and flame at Trafalgar, on Albuera plains,
We did and died like lions, to keep ourselves in chains,
We lay in living ruins; firing and fearing not
The strange fierce face of the Frenchmen who knew for what they fought,
And the man who seemed to be more than a man we strained against and broke;
And we broke our own rights with him. And still we never spoke.
Our patch of glory ended; we never heard guns again.
But the squire seemed struck in the saddle; he was foolish, as if in pain,
He leaned on a staggering lawyer, he clutched a cringing Jew,
He was stricken; it may be, after all, he was stricken at Waterloo.
Or perhaps the shades of the shaven men, whose spoil is in his house,
Come back in shining shapes at last to spoil his last carouse:
We only know the last sad squires rode slowly towards the sea,
And a new people takes the land: and still it is not we.
They have given us into the hand of new unhappy lords,
Lords without anger or honour, who dare not carry their swords.
They fight by shuffling papers; they have bright dead alien eyes;
They look at our labour and laughter as a tired man looks at flies.
And the load of their loveless pity is worse than the ancient wrongs,
Their doors are shut in the evening; and they know no songs.
We hear men speaking for us of new laws strong and sweet,
Yet is there no man speaketh as we speak in the street.
It may be we shall rise the last as Frenchmen rose the first,
Our wrath come after Russia's wrath and our wrath be the worst.
It may be we are meant to mark with our riot and our rest
God's scorn for all men governing. It may be beer is best.
But we are the people of England; and we have not spoken yet.
Smile at us, pay us, pass us. But do not quite forget.
~G.K. Chesterton
"Hilaire Belloc called "Lepanto" Chesterton’s greatest poem and the greatest poem of his generation. But not only have English classes neglected this masterpiece of rhyme and meter, History classes have neglected the story of the pivotal battle upon which the poem is based.
"This book brings together the poem, the historical background of the famous battle, a riveting account of the battle itself, and a discussion of its historical consequences. The poem is fully annotated, and is supplemented with two interesting essays by Chesterton himself. Well-known Chesterton expert, Dale Ahlquist, has gathered together all the insightful commentaries and explanatory notes. Here is the story behind the modern conflict between Christianity and Islam, between Protestant and Catholic Europe, and the origin of the Feast of the Holy Rosary. A fascinating blend of literature, history, religion and romance!"
