“THERE never was a power so great as the power of the Press. There never was a belief so superstitious as the universal belief in the Press. It may be that future centuries will call these the Dark Ages, and see a vast mystical delusion spreading its black bats’ wings over all our cities.” ~Daily News, 5/28/04.
"WE do not need a censorship of the press. We have a censorship by the press." ~Orthodoxy.
"IT is not we who silence the press. It is the press that silences us. It is not a case of the Commonwealth settling how much the editors shall say; it is a case of the editors settling how much the Commonwealth shall know. If we attack the Press we shall be rebelling, not repressing." ~Illustrated London News, 10/19/07.
"MODERN man is staggering and losing his balance because he is being pelted with little pieces of alleged fact ... which are native to the newspapers; and if they turn out not to be facts, that is still more native to the newspapers." ~Illustrated London News, 4/7/23.
"MEN in England are ruled, at this minute by the clock, by brutes who refuse them bread, by liars who refuse them news, and by fools who cannot govern, and therefore wish to enslave." ~Utopia of Usurers.
KNOWLEDGE is now a monopoly, and comes through to the citizens in thin and selected streams, exactly as bread might come through to a besieged city. Men must … know what is happening, whoever has the privilege of telling them. They must listen to the messenger, even if he is a liar. They must listen to the liar, even if he is a bore.” ~Utopia of Usurers.
—G.K. Chesterton
6/18/13
"The power of the Press"
6/13/13
"The tyranny of bad journalism"
“THE point about the Press is that it is not what it is called. It is not the “popular Press.” It is not the Public Press. It is not an organ of public opinion. It is a conspiracy of a very few millionaires, all sufficiently similar in type to agree on the limits of what this great nation (to which we belong) may know about itself and its friends and enemies. The ring is not quite complete; there are old-fashioned and honest papers: but it is sufficiently near to completion to produce on the ordinary purchaser of news the practical effects of a corner or monopoly. He receives all his political information and all his political marching orders from what is by this time a sort of half-conscious secret society, with very few members, but a great deal of money.”
~G.K. Chesterton: Utopia of Usurers.
~G.K. Chesterton: Utopia of Usurers.
"The improvement of advertisements is the degradation of artists"
"A fairly clear line separated advertisement from art...
"I should say the first effect of the triumph of the capitalist (if we allow him to triumph) will be that that line of demarcation will entirely disappear. There will be no art that might not just as well be advertisement. I do not necessarily mean that there will be no good art; much of it might be, much of it already is, very good art. You may put it, if you please, in the form that there has been a vast improvement in advertisements... But the improvement of advertisements is the degradation of artists. It is their degradation for this clear and vital reason: that the artist will work, not only to please the rich, but only to increase their riches; which is a considerable step lower. After all, it was as a human being that a pope took pleasure in a cartoon of Raphael or a prince took pleasure in a statuette of Cellini. The prince paid for the statuette; but he did not expect the statuette to pay him."
~G.K. Chesterton: Utopia of Usurers.
"I should say the first effect of the triumph of the capitalist (if we allow him to triumph) will be that that line of demarcation will entirely disappear. There will be no art that might not just as well be advertisement. I do not necessarily mean that there will be no good art; much of it might be, much of it already is, very good art. You may put it, if you please, in the form that there has been a vast improvement in advertisements... But the improvement of advertisements is the degradation of artists. It is their degradation for this clear and vital reason: that the artist will work, not only to please the rich, but only to increase their riches; which is a considerable step lower. After all, it was as a human being that a pope took pleasure in a cartoon of Raphael or a prince took pleasure in a statuette of Cellini. The prince paid for the statuette; but he did not expect the statuette to pay him."
~G.K. Chesterton: Utopia of Usurers.
6/10/13
"The only sort of war I thoroughly despise"
"Mr. H. G. Wells; then a sort of semi-detached Fabian... went out of his way to scoff at the indignation of the Pro-Boers against the Concentration Camps. Indeed he still maintains, while holding all wars indefensible, that this is the only sort of war to be defended. He says that great wars between great powers are absurd, but that it might be necessary, in policing the planet, to force backward peoples to open their resources to cosmopolitan commerce. In other words, he defends the only sort of war I thoroughly despise, the bullying of small states for their oil or gold."
~G.K. Chesterton: Autobiography.
~G.K. Chesterton: Autobiography.
6/7/13
The first use of good literature
"THE highest use of the great masters of literature is not literary; it is apart from their superb style and even from their emotional inspiration. The first use of good literature is that it prevents a man from being merely modern. To be merely modern is to condemn oneself to an ultimate narrowness; just as to spend one’s last earthly money on the newest hat is to condemn oneself to the old-fashioned. The road of the ancient centuries is strewn with dead moderns. Literature, classic and enduring literature, does its best work in reminding us perpetually of the whole round of truth and balancing other and older ideas against the ideas to which we might for a moment be prone. The way in which it does this, however, is sufficiently curious to be worth our fully understanding it to begin with."
~G.K. Chesterton: The Common Man.
~G.K. Chesterton: The Common Man.
A Young Man Being Introduced to the Seven Liberal Arts,
by Sandro Botticelli. Fresco transferred to canvas,
by Sandro Botticelli. Fresco transferred to canvas,
c. 1484; Musée du Louvre, Paris.
6/4/13
"What the saints and the prophets saw"
"THE world is not going anywhere, in the sense of the old optimist progressives, or even of the old pessimist reactionaries. It is not going to the Brave New World which Mr. Aldous Huxley described with detestation, any more than to the New Utopia which Mr. H. G. Wells described with delight. The world is what the saints and the prophets saw it was; it is not merely getting better or merely getting worse; there is one thing that the world does; it wobbles. Left to itself, it does not get anywhere; though if helped by real reformers of the right religion and philosophy, it may get better in many respects, and sometimes for considerable periods. But in itself it is not a progress; it is not even a process; it is the fashion of this world that passeth away. Life in itself is not a ladder; it is a see-saw."
~G.K. Chesterton: The Well and the Shallows.
~G.K. Chesterton: The Well and the Shallows.
6/1/13
"The madness of tomorrow"
"THE next great heresy is going to be simply an attack on morality; and especially on sexual morality. And it is coming, not from a few Socialists surviving from the Fabian Society, but from the living exultant energy of the rich resolved to enjoy themselves at last, with neither Popery nor Puritanism nor Socialism to hold them back. .... The roots of the new heresy, God knows, are as deep as nature itself, whose flower is the lust of the flesh and the lust of the eye and the pride of life. I say that the man who cannot see this cannot see the signs of the times; cannot see even the sky-signs in the street that are the new sort of signs in heaven. The madness of tomorrow is not in Moscow but Manhattan — but most of what was in Broadway is already in Piccadilly."
~G.K. Chesterton: The New Heresy, 6/19/26.
~G.K. Chesterton: The New Heresy, 6/19/26.
Subscribe to:
Posts (Atom)

