"IT IS OBVIOUSLY most unjust that the old believer should be forbidden to teach his old beliefs, while the new believer is free to teach his new beliefs. It is obviously unfair and unreasonable that secular education should forbid one man to say a religion is true and allow another man to say it is untrue. It is obviously essential to justice that unsectarian education should cut both ways; and that if the orthodox must cut out the statement that man has a Divine origin, the materialist must cut out the statement that he has a wholly and exclusively bestial origin."
~G.K. Chesterton: Illustrated London News, Aug. 8, 1925.
Showing posts with label Illustrated London News. Show all posts
Showing posts with label Illustrated London News. Show all posts
9/6/13
9/5/13
On Private Property and Modern Education
‘The modern
capitalist is more of a communist than was the old revolutionist.’
WE ALL KNOW that Mr. Smiles dedicated the modern world to Self-Help. Since then it has dedicated itself to Self-Hindrance, of the strangest sort, amounting often to self-strangulation or self-hanging; the individualistic theory of liberty having truly given it rope enough to hang itself. It is amazing to no note in how many matters the modern world started out to do one thing and has done exactly the opposite. The ethics if the economist, in the early nineteenth century exaggerated the sanctity and pride of private property. This led to a race for wealth which has not only led recently to a relapse into poverty, but to a change by which, even for the few who had more property, the property was much less private. In the nineteenth century the Northern Farmer was described as hearing the comfortable sound of “property, property, property” in the very canter of his horse’s legs. Nowadays the Northern Farmer probably travels in a motor and ploughs by machinery; I know not whether strange noises from the bowels of his iron monsters seen to resemble the words “mortgage” or “bankruptcy,” but I am pretty certain that they do not now soothe him with the dulcet dactyls of the cantering hooves. In plain fact the Northern Farmer has much less property than he had when he started out to look for it in the presence of Mr. Alfred Tennyson. And even the he has is much less private property, being sunk in the vast semi-public undertakings or international combines, over which he certainly has no control, as he had control over his horses. The same industrial individualism which set out with no thought except private property has produced a new world in which private property is hardly ever thought of, or at least not primarily as private.
WE ALL KNOW that Mr. Smiles dedicated the modern world to Self-Help. Since then it has dedicated itself to Self-Hindrance, of the strangest sort, amounting often to self-strangulation or self-hanging; the individualistic theory of liberty having truly given it rope enough to hang itself. It is amazing to no note in how many matters the modern world started out to do one thing and has done exactly the opposite. The ethics if the economist, in the early nineteenth century exaggerated the sanctity and pride of private property. This led to a race for wealth which has not only led recently to a relapse into poverty, but to a change by which, even for the few who had more property, the property was much less private. In the nineteenth century the Northern Farmer was described as hearing the comfortable sound of “property, property, property” in the very canter of his horse’s legs. Nowadays the Northern Farmer probably travels in a motor and ploughs by machinery; I know not whether strange noises from the bowels of his iron monsters seen to resemble the words “mortgage” or “bankruptcy,” but I am pretty certain that they do not now soothe him with the dulcet dactyls of the cantering hooves. In plain fact the Northern Farmer has much less property than he had when he started out to look for it in the presence of Mr. Alfred Tennyson. And even the he has is much less private property, being sunk in the vast semi-public undertakings or international combines, over which he certainly has no control, as he had control over his horses. The same industrial individualism which set out with no thought except private property has produced a new world in which private property is hardly ever thought of, or at least not primarily as private.
I was looking at
a recent collection which contains the opinions of many famous free-thinkers
about Jesus Christ. It is amusing to note how all of them differ among
themselves; how one of them contradicts another and the last is always
repudiated by the next. And I was specially amused to note that the earlier
skeptics, like Strauss, blamed Jesus of Nazareth for his contempt for commerce
and capital (then the gods of the hour), while the later skeptics, like Shaw
and Wells, praised the same Jesus of Nazareth for the same contempt for the
same commerce, because in the interval the sceptic had turned from an earnest
Individualist to an earnest Socialist. Anyhow, it was not Christ or the
Christian idea that had changed; it was only all the criticisms of all their
critics. And the later sceptic actually became more orthodox than the earlier
sceptic, simply by going Bolshevist. This is merely an example, for the moment,
of how the whole tone of the world has changed about property in relation to
privacy. The modern capitalist is more of a communist than was the old
revolutionist. The real Radicals had a horror of centralization, and one of the
most popular and prominent of the demagogues described a Communist as a man who
“always was willing to give you his penny and pocket your shilling.” The moral
of this vast overturn and disappointment is obvious enough: that when private
property only means private enterprise, and private enterprise only means
profiteering, it will soon cease even to produce profits and become in every
sense unprofitable.
The way the
world has changed about private property is proved by the fact that it is
regarded as a private field. Mr. Belloc and I, when we said first that we
really did believe that private property should be private, were mildly
chaffed, as if we were seeking solitude like hermits, or hoarding halfpence
like misers. But I am not concerned with our particular thesis here, or with
any such personal matters; I only mention this one as the most obvious of many
examples if the modern world rushing one way and rebounding another. Another
example is the tangle of education. In one sense, this is supremely the
educational age. In another sense, it is supremely and especially the
anti-educational age. It is the age in which the Government’s right to teach
everybody’s children is for the first time established. It is also the age in
which the father’s right to teach his own children is for the first time
denied. It is the time in which experimentalists earnestly desire to teach a
jolly little guttersnipe everything; even Criminology and Cosmic Poise and the
Maya system of decorative rhythm. But it is also the time in which earnest
philosophers are really doubting whether it is right to teach anybody anything;
even how to avoid taking poison or falling off precipices.
But the
practical difficulty of our present education is even worse. It is attempting
to conduct a process, and yet it has produced a world which incessantly
interrupts and reverses that process. Education is initialization; it is in its
nature a progression from one thing to another; the arrangement of ideas in a
certain order. A child learns to walk before he learns to skip; he learns his
own alphabet before he learns the Greek alphabet. Or, if any educationist now
reverses this process, he must at least have a reason for reversing it, and
must therefore refuse to reverse the reversal. But the real life of our time
reverses everything and no reason for anything. The real world, that roars
round the poor little gutter-boy as he goes to school, is an utterly anti-educational
world. If the school is really giving any education, the world is certainly
engaged day and night in ruing his education. For the world gives him things
anyhow, in any order, with any result; the world gives him things meant for
somebody else; the world throws things at him from morning till night, quite
blindly, madly, and without meaning or aim; and this process, whatever else it
is, is the exact opposite of the process of education. The gutter-boy spends
about three-quarters of his time getting uneducated. He is educated by the
modern State School. He is uneducated by the Modern State.
Because, as I
have already ventured very delicately to hint, the modern Sate is in a devil of
a state. It is itself the chaos and contradiction produced by that very
unbalanced race after private profit that has produced its own opposite in a
sort of communal confusion. Educationists have the task of putting the school
in order before anybody has put the State in order. It is arguable that we
ought to put the State in order before there can really be such a thing as a
State school. But I will not discuss my own remedies here, which would involve
indecent allusions to a third thing called the Family; now never mentioned in
respectable circles. Only I think there is something wrong with a system that
thus throttles itself and cuts its own throat; a world in which we cannot even
paint the town red without turning it green, or set the Thames on fire without
freezing it.
~G.K.
Chesterton, Illustrated London News, May 28, 1932.
Labels:
Capitalist,
education,
Illustrated London News,
Private Property,
school,
state
8/31/13
Religion and the New Science
"I HAVE NEVER been able to understand why men of science, or men of any sort, should have such a special affection for Disorganised Religion. They would hardly utter cries of hope and joy over the prospect of Disorganised Biology or Disorganised Botany. They would hardly wish to see the whole universe of astronomy disorganised, with no relations, no records, no responsibilities for the fulfillment of this or that function, no reliance on the regularity of this or that law."
~G.K. Chesterton: Illustrated London News, April 12, 1930.
~G.K. Chesterton: Illustrated London News, April 12, 1930.
"The appreciation of being"
“GREAT TRUTHS can only be forgotten and can never be falsified.”
-- Illustrated London News, Sept. 30, 1933.
"SEEING TRUTH must mean the appreciation of being by some mind capable of appreciating it. But in a general sense there has entered that primeval world of pure actuality, the division and dilemma that brings the ultimate sort of war into the world; the everlasting duel between Yes and No. This is the dilemma that many sceptics have darkened the universe and dissolved the mind solely in order to escape. They are those who maintain that there is something that is both Yes and No. I do not know whether they pronounce it Yo."
-- St. Thomas Aquinas, VII. 'The Permanent Philosophy.'
~G.K. Chesterton
-- Illustrated London News, Sept. 30, 1933.
"SEEING TRUTH must mean the appreciation of being by some mind capable of appreciating it. But in a general sense there has entered that primeval world of pure actuality, the division and dilemma that brings the ultimate sort of war into the world; the everlasting duel between Yes and No. This is the dilemma that many sceptics have darkened the universe and dissolved the mind solely in order to escape. They are those who maintain that there is something that is both Yes and No. I do not know whether they pronounce it Yo."
-- St. Thomas Aquinas, VII. 'The Permanent Philosophy.'
~G.K. Chesterton
Labels:
Illustrated London News,
sceptics,
St. Thomas Aquinas,
truths
"An atheistic literary style"
“AN INTERESTING ESSAY might be written on the possession of an atheistic literary style. There is such a thing. The mark of it is that wherever anything is named or described, such words are chosen as suggest that the thing has not got a soul in it. Thus they will not talk of love or passion, which imply a purpose and a desire. They talk of the “relations” of the sexes, as if they were simply related to each other in a certain way, like a chair and a table. Thus they will not talk of the waging of war (which implies a will), but of the outbreak of war – as if it were a sort of boil. Thus they will not talk of masters paying more or less wages, which faintly suggests some moral responsibility in the masters: they will talk of the rise and fall of wages, as if the thing were automatic, like the tides of the sea. Thus they will not call progress an attempt to improve, but a tendency to improve. And thus, above all, they will not call the sympathy between oppressed nations sympathy; they will call it solidarity. For that suggests brick and coke, and clay and mud, and all the things they are fond of.”
~G.K. Chesterton: Illustrated London News, Dec. 7, 1912.
~G.K. Chesterton: Illustrated London News, Dec. 7, 1912.
8/30/13
"The modern world is..."
“THE modern world is a crowd of very rapid racing cars all brought to a standstill and stuck in a block of traffic.”
~G.K. Chesterton: Illustrated London News, May 29, 1926.
~G.K. Chesterton: Illustrated London News, May 29, 1926.
London traffic jam (1901)
8/29/13
On German Responsibility
“IF the German Emperor was not responsible for war, or if he is anyhow now responsible for government, the proper inference is plain enough—that we should turn our attention to those Germans who now are responsible for government, and consider how far they were formerly responsible for war…. It might be held that it was not so much William Hohenzollern as the Deutscher Kaiser who followed the armies across Belgium and waited in a white uniform at Nancy for the triumph that never came. But it was certainly Herr Scheidemann, as well as a mere member of the Reichstag, who followed the armies into Belgium to whitewash with hypocritical sophistries the most wicked oppression of modern history. It was certainly not necessary for an irresponsible professor of Socialism to go entirely out of his way to excuse and eulogise the chief act of Prussianism. He was not acting as a Socialist, and he was certainly not acting as a Pacifist. But, above all, if he was really acting as democrat, the fact is far from reassuring about the spirit and future of German democracy. If he was really representing those whom he was supposed to represent, we can only deduce that German popular feeling was then, and probably is now, as ambitious and aggressive as German autocratic or aristocratic feeling. If he does not trouble about representing anybody, it is useless to refer us to an improved popular sentiment which he is supposed to represent. The menace to mankind seems to remain the same, whether he was a democrat then or whether he is an oligarch now. But, in any case, I imagine nobody will say that Scheidemann was a medieval, or that he merely professed to be the voice of God. Scheidemann was a modern, and modestly professed to be the voice of Humanity. And the highly practical fact we have to face, if we are not to involve the world in another hideous calamity, is the very simple fact that it is just as easy to massacre men in the name of Man as to burn churches in the name of God. It is as feasible to decree inhumanity in humanitarian language as to decree sacrilege in sacred language. What the deeds of these men will be may remain to be seen. Since they thought such things as the invasion of Belgium consistent with Socialism in opposition, I cannot conceive why they should not think them consistent with Socialism in power.”
~G.K. Chesterton: Illustrated London News, May 10, 1919.
~G.K. Chesterton: Illustrated London News, May 10, 1919.
Labels:
German,
Illustrated London News,
Prussianism,
Scheidemann,
socialism
"His vices were his virtues"
"MEN DID WICKED THINGS in all parts of the world, including the most Christian parts of the world. But they seldom thought they were behaving like Christians. A man broke treaties, trampled on enemies, or betrayed friends, because he was ready to be contemned; he did not expect to be respected. The notion of his being actually admired as a strong man, merely because he behaved like a selfish man, is a notion so new that I can myself remember it rising steadily, like a new religion, in the late Victorian time. I can myself recall the transition in literary fashions from the dull but decent morality of Macaulay to the picturesque but barbarous mysticism of Carlyle. The school of Macaulay would balance the virtues and vices of William Rufus or Warren Hastings; but for the school of Carlyle his vices were his virtues. These great men of letters had long been dead when the process began to penetrate everywhere; but the forms it took everywhere were the more clearly the fashion because they were both variegated and vulgar. We had the praise of the colonial and commercial expansionist, of the imaginative imperial financier—a kind of pawnbroker who not only received stolen goods, but bribed the policeman to steal them. We had plays and novels about the strong-minded employer of labour, who seemed to think himself astonishingly virile because he could manage to starve a man in a siege, when he would never venture to hit him in a fight."
~G.K. Chesterton: Illustrated London News, Dec. 15, 1917.
~G.K. Chesterton: Illustrated London News, Dec. 15, 1917.
"The internationalist and the imperialist"
"THE internationalist and the imperialist are not only similar men, but even the same men. There is no country which the Imperialist may not claim to conquer in order to convert. There is no country which the Internationalist may not claim to convert in order to conquer. Whether it is called international law or imperial law, it is the very soul and essence of all lawlessness. Against all such amorphous anarchy stands that great and positive creation of Christendom, the nation, with its standards of liberty and loyalty, with its limits of reason and proportion."
~G.K. Chesterton: Illustrated London News, Oct. 5, 1918.
~G.K. Chesterton: Illustrated London News, Oct. 5, 1918.
"To decree inhumanity in humanitarian language"
"IT IS just as easy to massacre men in the name of Man as to burn churches in the name of God. It is as feasible to decree inhumanity in humanitarian language as to decree sacrilege in sacred language."
~G.K. Chesterton: Illustrated London News, May 10, 1919.
~G.K. Chesterton: Illustrated London News, May 10, 1919.
8/28/13
"The Barbarian"
"The Barbarian is very little affected by the flag under which he marches to slay and spoil. For practical purposes the Barbarian is the man who does not believe in chivalry in war or charity in peace; and, above all, who does not believe in modesty in anything."
~G.K. Chesterton: Illustrated London News, July 31, 1920.
~G.K. Chesterton: Illustrated London News, July 31, 1920.
8/17/13
"The Higher Culture...is quite fleeting"
"THE Higher Culture to which I was referring is a quite fleeting and fundamentally caddish sort of culture, filling up the gap which everyone has felt since we gave up real religion and real politics; since we gave up thinking about God and fighting about man."
~G.K. Chesterton: Illustrated London News, May 12, 1906.
~G.K. Chesterton: Illustrated London News, May 12, 1906.
8/13/13
Poetry in Action
IF I were asked why I think our
whole industrial society is cursed with sterility and stamped with the mark of
the slave, I could give a great many answers, but one will serve for the
moment: because it cannot create a custom. It can only create a fashion. Now a
fashion is simply something that has failed to be a custom. It is changed as a
fashion because it is a failure as a custom. The rich, who are the most
restless of mankind, do one thing after another and prove in the very process
that they cannot create anything that is good enough to last. Their succession
of fashions is in itself a succession of failures. For when men have made
really dignified and humane things they have always desired that they should
remain or, at least, that some relic of them should remain.
We have statues of all schools of statuary and buildings of all periods of architecture. But fashion, in the feverish sense that exists today, is a totally different thing, a merely destructive thing; indeed, an entirely negative thing. It is as if a man were perpetually carving a statue and smashing it as soon as he carved it; as if he were always clumsily fumbling with the day and had never modelled it to his liking. It is as if people began to dig up the foundations of a house before they had finished putting the roof on. This is not activity or energy or efficiency; it is certainly not efficiency, for it never achieves its effect; it never regards it as either effective or effectual. It is simply instability and discontent; and one of the marks of it is that it cannot create a custom. It cannot, for instance, create a ceremonial, still less a legend. It can sometimes attempt a rag or a practical joke; it can attempt that very dismal sort of dinner that the millionaires in America call a Freak. But the thing cannot be repeated; even the stupidest millionaire could not stand that.
When the traveller visits a place like Spain, the first thing that strikes him is a change from this atmosphere of hard and barren frivolity to the atmosphere of grave and solemn festivity. The Spaniards still have customs rather than fashions; and their customs come natural to them. They do not need to be changed, because to fresher minds they are always fresh. This is particularly true, for instance, about the sort of ceremonial that everywhere gathers round childhood. In such places it is not only children who understand childhood. Grown-up people understand it so thoroughly that they themselves become what the wise call childlike and the foolish call childish. It can be seen in a hundred things that make a system of communication between two generations. But it can be seen in this above all; that the grown-up people are still capable of inventing a ceremony, as children invent a game. The ceremonies vary, not only from place to place, but from century to century. They are not all old, as antiquaries like things to be old; for antiquaries only like things to be antiquated. Just as these living peasantries renew their fields and farms, so they renew their habitations and habits. Just as they restore their churches, by putting new patches on to old buildings, so they renew their games and jokes, putting in many elements in one place which are not found in another.
What is called the Seville procession exists in many different places besides Seville. But as it is done in many different places, so it is done in many different ways. There are often elements that are in their nature new, that are unexpected in the sense that nobody could possibly expect them. I have heard it said that, sometimes, a man will rush out into the path of the procession and pour out a stream of absurdly spontaneous poetry, like an improvisation on a musical instrument; and that sometimes somebody else (also rather abruptly moved by the Muse) will answer him from a window with appropriate poetical repartees. But the point is that the old framework allows of these new things, just as the old orchard bears fresh fruit or the old garden fresh flowers. These old civilizations give us the sensation of being always at the beginning of things; whereas mere modern innovation gives us the sensation, even in its novelty, of drawing nearer and nearer to the end.
There is one custom in Spain, and probably in other southern countries, which might be a model of the popular instinct for poetry in action. It is what corresponds to our idea of Santa Claus, who is, of course, St Nicolas, and in the North the patron of children and the giver of gifts at Christmas. In the South this function is performed by the Three Kings, and the gifts are given at the Epiphany. It is in a sense more logical, which, perhaps, is why it is common among the Latins. The Wise Men are in any case bringing gifts to the Holy Child, and they bring them at the same time to the human children. But there is in connexion with it an excellent example of how people who retain this popular instinct can actually act a poem.
The mysterious Kings arrive at the end of the holiday, which again is really very reasonable. It is much better that the games and dances and dramas, which are fugitive, should come first and the children be left with the presents, or permanent possessions, at the end. But it is also the occasion of a process very mystical and moving to the imagination. The Kings are conceived as coming nearer and nearer every day; and, if there are images of these sacred figures, they are moved from place to place every night. That alone is strangely thrilling, either considered as a child’s game or as a mystic’s meditation on the mysteries of time and space. On the last night of all, when the strange travellers through time are supposed to arrive, the children carefully put out water and green stuff for the camels and the horses of that superhuman cavalcade out of the depths of the East. Even the touch of putting water, so necessary to purely Eastern animals, is enough to suggest that reach of the imagination to the ends of the earth.
Now, that is only one example, out of hundreds that can be collected in any valley or countryside, of something which people in simpler times had the power to create; a complete and concrete drama perfectly plain and unfathomably profound. What I want to know about modern civilization, which in many ways cares so much for beauty, which in some ways cares far too much for beauty, is why it cannot produce these beautiful things. I do not want it to copy Spain and the Three Kings, or to copy Scandinavia and St Nicolas, or to copy any particular local ritual. But why can it never invent anything of its own? I have long paused for a reply.
~G.K. Chesterton: Illustrated London News, 1926. (This essay collected in The Glass Walking Stick.)
We have statues of all schools of statuary and buildings of all periods of architecture. But fashion, in the feverish sense that exists today, is a totally different thing, a merely destructive thing; indeed, an entirely negative thing. It is as if a man were perpetually carving a statue and smashing it as soon as he carved it; as if he were always clumsily fumbling with the day and had never modelled it to his liking. It is as if people began to dig up the foundations of a house before they had finished putting the roof on. This is not activity or energy or efficiency; it is certainly not efficiency, for it never achieves its effect; it never regards it as either effective or effectual. It is simply instability and discontent; and one of the marks of it is that it cannot create a custom. It cannot, for instance, create a ceremonial, still less a legend. It can sometimes attempt a rag or a practical joke; it can attempt that very dismal sort of dinner that the millionaires in America call a Freak. But the thing cannot be repeated; even the stupidest millionaire could not stand that.
When the traveller visits a place like Spain, the first thing that strikes him is a change from this atmosphere of hard and barren frivolity to the atmosphere of grave and solemn festivity. The Spaniards still have customs rather than fashions; and their customs come natural to them. They do not need to be changed, because to fresher minds they are always fresh. This is particularly true, for instance, about the sort of ceremonial that everywhere gathers round childhood. In such places it is not only children who understand childhood. Grown-up people understand it so thoroughly that they themselves become what the wise call childlike and the foolish call childish. It can be seen in a hundred things that make a system of communication between two generations. But it can be seen in this above all; that the grown-up people are still capable of inventing a ceremony, as children invent a game. The ceremonies vary, not only from place to place, but from century to century. They are not all old, as antiquaries like things to be old; for antiquaries only like things to be antiquated. Just as these living peasantries renew their fields and farms, so they renew their habitations and habits. Just as they restore their churches, by putting new patches on to old buildings, so they renew their games and jokes, putting in many elements in one place which are not found in another.
What is called the Seville procession exists in many different places besides Seville. But as it is done in many different places, so it is done in many different ways. There are often elements that are in their nature new, that are unexpected in the sense that nobody could possibly expect them. I have heard it said that, sometimes, a man will rush out into the path of the procession and pour out a stream of absurdly spontaneous poetry, like an improvisation on a musical instrument; and that sometimes somebody else (also rather abruptly moved by the Muse) will answer him from a window with appropriate poetical repartees. But the point is that the old framework allows of these new things, just as the old orchard bears fresh fruit or the old garden fresh flowers. These old civilizations give us the sensation of being always at the beginning of things; whereas mere modern innovation gives us the sensation, even in its novelty, of drawing nearer and nearer to the end.
There is one custom in Spain, and probably in other southern countries, which might be a model of the popular instinct for poetry in action. It is what corresponds to our idea of Santa Claus, who is, of course, St Nicolas, and in the North the patron of children and the giver of gifts at Christmas. In the South this function is performed by the Three Kings, and the gifts are given at the Epiphany. It is in a sense more logical, which, perhaps, is why it is common among the Latins. The Wise Men are in any case bringing gifts to the Holy Child, and they bring them at the same time to the human children. But there is in connexion with it an excellent example of how people who retain this popular instinct can actually act a poem.
The mysterious Kings arrive at the end of the holiday, which again is really very reasonable. It is much better that the games and dances and dramas, which are fugitive, should come first and the children be left with the presents, or permanent possessions, at the end. But it is also the occasion of a process very mystical and moving to the imagination. The Kings are conceived as coming nearer and nearer every day; and, if there are images of these sacred figures, they are moved from place to place every night. That alone is strangely thrilling, either considered as a child’s game or as a mystic’s meditation on the mysteries of time and space. On the last night of all, when the strange travellers through time are supposed to arrive, the children carefully put out water and green stuff for the camels and the horses of that superhuman cavalcade out of the depths of the East. Even the touch of putting water, so necessary to purely Eastern animals, is enough to suggest that reach of the imagination to the ends of the earth.
Now, that is only one example, out of hundreds that can be collected in any valley or countryside, of something which people in simpler times had the power to create; a complete and concrete drama perfectly plain and unfathomably profound. What I want to know about modern civilization, which in many ways cares so much for beauty, which in some ways cares far too much for beauty, is why it cannot produce these beautiful things. I do not want it to copy Spain and the Three Kings, or to copy Scandinavia and St Nicolas, or to copy any particular local ritual. But why can it never invent anything of its own? I have long paused for a reply.
~G.K. Chesterton: Illustrated London News, 1926. (This essay collected in The Glass Walking Stick.)
8/11/13
The Power of the Cinema

“THERE IS a real danger of historical falsehood being popularized through the film, because there is not the normal chance of one film being corrected by another film. When a book appears displaying a doubtful portrait of Queen Elizabeth, it will generally be found that about six other historical students are moved to publish about six other versions of Queen Elizabeth at the same moment. We can buy Mr. Belloc’s book on Cromwell, and then Mr. Buchan’s book on Cromwell; and pay our money and take our choice. But few of us are in a position to pay the money required to stage a complete and elaborately presented alternative film-version of Disraeli. The fiction on the film, the partisan version in the movie-play, will go uncontradicted and even uncriticised, in a way in which few provocative books can really go uncontradicted and uncritcised…. A false film might be refuted in a hundred books, without much affecting the million dupes who had never read the books but only seen the film.”
~G.K. Chesterton: Illustrated London News, Jan. 5, 1935.
8/2/13
Charlatans and Quacks
"THE argument used by professional men of science that what they call quack remedies are superstitions is really an argument in a circle. It amounts to this, that the herbs used by an old woman are untrustworthy because she is superstitious; and she is superstitious because she believes in such herbs. Her method is bad because she is stupid; but the main proof of her stupidity is that she pursues her own method."
~G.K. Chesterton: Illustrated London News, Feb. 15, 1908.
~G.K. Chesterton: Illustrated London News, Feb. 15, 1908.
"The pirate"
"THE pirate who grew rich on the high seas at least could not be a coward; the pirate who grows rich on the high prices may be that, as well as everything else that is unworthy."
~G.K. Chesterton: Illustrated London News, Jan. 7, 1928.
~G.K. Chesterton: Illustrated London News, Jan. 7, 1928.
7/26/13
"The State is run by the big businesses"
"THERE is less difference than many suppose between the ideal, Socialist system, in which the big businesses are run by the State, and the present Capitalist system, in which the State is run by the big businesses."
~G.K. Chesterton: Illustrated London News, Oct. 27, 1928.
~G.K. Chesterton: Illustrated London News, Oct. 27, 1928.
7/22/13
"We must argue"
"CREEDS must disagree: it is the whole fun of the thing. If I think the universe is triangular, and you think it is square, there cannot be room for two universes. We may argue politely, we may argue humanely, we may argue with great mutual benefit; but, obviously, we must argue. Modern toleration is really a tyranny. It is a tyranny because it is a silence. To say that I must not deny my opponent's faith is to say I must not discuss it . . . It is absurd to have a discussion on Comparative Religions if you don't compare them."
~G.K. Chesterton: Illustrated London News, 10/10/08.
~G.K. Chesterton: Illustrated London News, 10/10/08.
7/13/13
The True Middle Ages
"THERE IS something odd in the fact that when we reproduce the Middle Ages it is always some such rough and half-grotesque part of them that we reproduce . . . Why is it that we mainly remember the Middle Ages by absurd things? . . . Few modern people know what a mass of illuminating philosophy, delicate metaphysics, clear and dignified social morality exists in the serious scholastic writers of mediaeval times. But we seem to have grasped somehow that the ruder and more clownish elements in the Middle Ages have a human and poetical interest. We are delighted to know about the ignorance of mediaevalism; we are contented to be ignorant about its knowledge. When we talk of something mediaeval, we mean something quaint. We remember that alchemy was mediaeval, or that heraldry was mediaeval. We forget that Parliaments are mediaeval, that all our Universities are mediaeval, that city corporations are mediaeval, that gunpowder and printing are mediaeval, that half the things by which we now live, and to which we look for progress, are mediaeval."
~G.K. Chesterton: Illustrated London News, 7/14/06.
~G.K. Chesterton: Illustrated London News, 7/14/06.
7/11/13
"I prefer a more grey and gracious haze"
"THE chief gift of hot weather to me is the somewhat unpopular benefit called a conviction of sin. All the rest of the year I am untidy, lazy, awkward, and futile. But in hot weather I feel untidy, lazy, awkward, and futile. Sitting in a garden-chair in a fresh breeze under a brisk grey and silver sky, I feel a frightfully strenuous fellow: sitting on the same garden-chair in strong sunshine, it begins slowly to dawn on me that I am doing nothing. In neither case, of course, do I get out of the chair. But I resent that noontide glare of photographic detail by the ruthless light of which I can quite clearly see myself sitting in the chair. I prefer a more grey and gracious haze, something more in the Celtic-twilight style, through which I can only faintly trace my own contours, vast but vague in the dusk and distance."
G.K. Chesterton: Illustrated London News, 6/11/10.
G.K. Chesterton: Illustrated London News, 6/11/10.
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