St. Thomas More

Sir Thomas More, by Hans Holbein the Younger. Tempera on wood, 1527; Frick Collection, New York.


MOST would understand the phrase that the mind of More was like a diamond that a tyrant threw away into a ditch, because he could not break it.  It is but a metaphor; but it does sometimes happen that the metaphor is many-sided, like the diamond. What moved the tyrant to a sort of terror of that mind was its clarity; it was the very reverse of a cloudy crystal filled only with opalescent dreams or visions of the past. The King and his great Chancellor had been companions as well as contemporaries; in many ways, both were Renaissance men; but in some ways, the man who was the more Catholic was the less medieval.  That is, there was perhaps more in the Tudor of that mere musty fag-end of decayed medievalism, which the real Renaissance reformers felt to be the corruption of the time. In More's mind there was nothing but clarity; in Henry's mind, though he was no fool and certainly no Protestant, there was something of confused conservatism.  Like many a better man who is an Anglo-Catholic, he had a touch of the antiquary. Thomas More was a better rationalist, which was why there was nothing in his religion that was merely local, or in that sense merely loyal.  More's mind was like a diamond also in a power like that of cutting glass; of cutting through things that seemed equally transparent, but were at once less solid and less many-sided. For the true consistent heresies generally look very clear indeed; like Calvinism then or Communism now. They sometimes even look very true; they sometimes even are very true, in the limited sense of a truth that is less than the Truth. They are at once more thin and more brittle than the diamond. For a heresy is not often a mere lie; as Thomas More himself said, "Never was there a heretic that spoke all false." A heresy is a truth that hides all the other truths. A mind like More's was full of light like a house made of windows; but the windows looked out on all sides and in all directions. We might say that, as the jewel has many facets, so the man had many faces; only none of them were masks.

Thus there are so many aspects of this great story, that the difficulty of dealing with it in an article is one of selection, and even more of proportion.  I might attempt and fail to do justice to its highest aspect; to that holiness which now stands beyond even Beatitude; I might equally fill the whole space with the homeliest of the jokes in which the great humorist delighted in daily life; perhaps the biggest joke of all being the book called Utopia. The nineteenth century Utopians imitated the book without seeing the joke.  But among a bewildering complexity of such different aspects or angles, I have decided to deal only with two points; not because they were the most important truths about Thomas More, though their importance is very great; but because they are two of the most important truths about the world at this present moment. One appears most clearly in his death and the other in his life; one, perhaps we should rather say, concerns his public life and the other his private life; one is far beyond any adequate admiration and the other may seem in comparison an almost comic bathos; but one hits exactly the right nail on the head in our present discussions about the State; and the other about the Family.

Thomas More died the death of a traitor for defying absolute monarchy; in the strict sense of treating monarchy as an absolute. He was willing, and even eager, to respect it as a relative thing, but not as an absolute thing.  The heresy that had just raised its head in his own time was the heresy called the Divine Right of Kings. In that form it is now regarded as an old superstition; but it has already reappeared as a very new superstition, in the form of the Divine Right of Dictators.  But most people still vaguely think of it as old; and nearly all of them think it is much older than it is. One of the chief difficulties to-day is to explain to people that this idea was not native to medieval or many older times. People know that the constitutional checks on kings have been increasing for a century or two; they do not realize that any other kind of checks could ever have operated; and in the changed conditions those other checks are hard to describe or imagine. But most certainly medieval men thought of the king as ruling sub deo et lege; rightly translated, "under God and the law," but also involving something atmospheric that might more vaguely be called, "under the morality implied in all our institutions." Kings were excommunicated, were deposed, were assassinated, were dealt with in all sorts of defensible and indefensible ways; but nobody thought the whole commonwealth fell with the king, or that he alone had ultimate authority there.  The State did not own men so entirely, even when it could send them to the stake, as it sometimes does now where it can send them to the elementary school. There was an idea of refuge, which was generally an idea of sanctuary. In short, in a hundred strange and subtle ways, as we should think them, there was a sort of escape upwards.  There were limits to Caesar; and there was liberty with God.

The highest voice of the Church has pronounced that this hero was in the true and traditional sense a Saint and Martyr. And it is appropriate to remember that he does indeed stand, for a rather special reason, with those first Martyrs whose blood was the seed of the Church in the very earliest pagan persecutions. For most of them died; as he did, for refusing to extend a civil loyalty into a religious idolatry.  Most of them did not die for refusing to worship Mercury or Venus, or fabulous figures who might be supposed not to exist; or others like Moloch or Priapus whom we might well hope do not exist.  Most of them died for refusing to worship somebody who certainly did exist; and even somebody whom they were quite prepared to obey but not to worship. The typical martyrdom generally turned on the business of burning incense before the statue of Divus Augustus; the sacred image of the Emperor.  He was not necessarily a demon to be destroyed; he was simply a despot who must not be turned into a deity. That is where their case came so very close to the practical problem of Thomas More; and so very near to the practical problem of mere State-worship to-day. And it is typical of all Catholic thought that men died in torments, not because their foes "spoke all false"; but simply because they would not give an unreasonable reverence where they were perfectly prepared to give a reasonable respect. For us the problem of Progress is always a problem of Proportion: improvement is reaching a right proportion, not merely moving in one direction.  And our doubts about most modern developments, about the Socialists in the last generation, or the Fascists in this generation, do not arise from our having any doubts at all about the desirability of economic justice, or of national order, any more than Thomas More bothered his head to object to a hereditary monarchy. He objected to the Divine Right of Kings.

In the very deepest sense he is thus the champion of Liberty in his public life and his still more public death.  In his private life he is the type of a truth even less understood to-day; the truth that the real habitation of Liberty is the home. Modern novels and newspapers and problem plays have been piled up in one huge rubbish-heap to hide this simple fact; yet it is a fact that can be proved quite simply. Public life must be rather more regimented than private life; just as a man cannot wander about in the traffic of Piccadilly exactly as he could wander about in his own garden. Where there is traffic there will be regulation of traffic; and this is quite as true, or even more true, where it is what we should call an illicit traffic; where the most modern governments organize sterilization to-day and may organize infanticide to-morrow. Those who hold the modern superstition that the State can do no wrong will be bound to accept such a thing as right.  If individuals have any hope of protecting their freedom, they must protect their family life. At the worst there will be rather more personal adaptation in a household than in a concentration camp; at the best there will be rather less routine in a family than in a factory. In any tolerably healthy home the rules are at least partly affected by things that cannot possibly affect fixed laws; for instance, the thing we call a sense of humour.

Therefore More is vividly important as the Humorist; as representing that special phase of the Humanist. Behind his public life, which was so grand a tragedy, there was a private life that was a perpetual comedy. He was, as Mr. Christopher Hollis says in his excellent study, "an incorrigible leg-puller." Everybody knows, of course, that the comedy and the tragedy met as they meet in Shakespeare, on that last high wooden stage where his drama ended. In that terrible moment he realized and relished the grand joke of the human body, as of a sort of lovable lumber; gravely discussed whether his beard had committed treason; and said in hoisting himself up the ladder, "See me safely up; coming down I can take care of myself."

But Thomas More never came down that ladder.  He had done with all descents and downward goings, and what had been himself vanished from men's eyes almost in the manner of his Master, who being lifted up shall draw all men after Him. And the dark closed over him and the clouds came between; until long afterwards the wisdom that can a read such secrets saw him fixed far above our heads like a returning star; and established his station in the skies.

~G.K. Chesterton: from The Well and the Shallows

The Collected Works of G. K. Chesterton, Vol. 3: 
Where All Roads Lead / The Catholic Church and Conversion /
Why I Am a Catholic / The Thing / The Well and the Shallows /
The Way of the Cross 

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